XEMORRAH
Jiaxun Li's Xemorrah is a world inspired by the garden of earthly delights. The structures and scenery were done to compliment the sharpness of the clothes.
Pulling elements from the garden of eden, heaven and hell. We wanted to create a seamless combination that would work in different print editorials.
Jiaxun Li's Xemorrah is a world inspired by the garden of earthly delights. The structures and scenery were done to compliment the sharpness of the clothes.
Pulling elements from the garden of eden, heaven and hell. We wanted to create a seamless combination that would work in different print editorials.
Jiaxun Li's Xemorrah is a world inspired by the garden of earthly delights. The structures and scenery were done to compliment the sharpness of the clothes.
Pulling elements from the garden of eden, heaven and hell. We wanted to create a seamless combination that would work in different print editorials.
Jiaxun Li's Xemorrah is a world inspired by the garden of earthly delights. The structures and scenery were done to compliment the sharpness of the clothes.
Pulling elements from the garden of eden, heaven and hell. We wanted to create a seamless combination that would work in different print editorials.
Jiaxun Li's Xemorrah is a world inspired by the garden of earthly delights. The structures and scenery were done to compliment the sharpness of the clothes.
Pulling elements from the garden of eden, heaven and hell. We wanted to create a seamless combination that would work in different print editorials.
CLIENT
JIAXUN LI
PHOTOGRAPHY
KHALIL COVINGTON
ROLE
CREATIVE DIRECTION
Starting at the Garden of Eden, we wanted to create a lush florar scenery that resembles the ones in the triptych in a more realistic manner. Using some of the iconic structures we tied it back to the paintings.
Starting at the Garden of Eden, we wanted to create a lush florar scenery that resembles the ones in the triptych in a more realistic manner. Using some of the iconic structures we tied it back to the paintings.
Starting at the Garden of Eden, we wanted to create a lush florar scenery that resembles the ones in the triptych in a more realistic manner. Using some of the iconic structures we tied it back to the paintings.
Starting at the Garden of Eden, we wanted to create a lush florar scenery that resembles the ones in the triptych in a more realistic manner. Using some of the iconic structures we tied it back to the paintings.
Descending from heaven to hell. A visual representation of the lush flora drying up after crossing the lakes connecting heaven and hell.
Descending from heaven to hell. A visual representation of the lush flora drying up after crossing the lakes connecting heaven and hell.
Descending from heaven to hell. A visual representation of the lush flora drying up after crossing the lakes connecting heaven and hell.
Descending from heaven to hell. A visual representation of the lush flora drying up after crossing the lakes connecting heaven and hell.
Finally we land in hell, where it's more arid and resembling the remnants of a long war. Where structures have decayed for so long that there is barely anything left.
Finally we land in hell, where it's more arid and resembling the remnants of a long war. Where structures have decayed for so long that there is barely anything left.
Finally we land in hell, where it's more arid and resembling the remnants of a long war. Where structures have decayed for so long that there is barely anything left.
Finally we land in hell, where it's more arid and resembling the remnants of a long war. Where structures have decayed for so long that there is barely anything left.
COPYRIGHT © 2026 FERNANDO VELEZ
ALL RIGHTS RESERVED